Her now-iconic collections—Le Bleupillion, Birds of Liberty, The Drop, Typhoon, Storm, and The Signature—are each infused with narrative. Le Bleupillion, with its Mediterranean blue diamonds and Tahitian pearls, echoes the shimmering soul of the sea. Birds of Liberty, a personal best-seller, champions the feminine right to soar—a radiant metaphor for self-expression in rose gold, silver, and diamond shimmer. The Drop draws its emotion from the shape of a tear, transforming the idea of falling into a story of rising. And The Storm, perhaps her most personal piece, captures the raw strength of women in Lebanon—power swirling in precious metal.
“I am confident that a piece of art, regardless of the field covered, is the result of a certain maturity its artist had the opportunity to develop with time,” Choueiri says. Her maturity is palpable. Her work speaks to the long arc of becoming—the grace of a woman shaped by experience, discipline, and devotion to her craft.
Each piece can scale up or down, she explains—what begins as a ring may just as easily become a monumental sculpture. This intentional symmetry between body and space, between the wearable and the architectural, is what sets her apart. It’s also what makes Randa Choueiri not just a designer, but a legacy-builder. Her pieces do not follow trends; they hold time.
Today, Randa Choueiri International stands at the intersection of art, fashion, and the soul of craftsmanship. Her work has been featured in global editorial platforms such as Vanity Fair, Byzance Arabia, Traveller, L’Amour, and DECO, and adorned by red-carpet luminaries including Monica Barbaro, KJ Smith, Meagan Good, Cassandra Freeman, and Jarry Lee. Yet her true success lies not in recognition—but in resonance. In creating art that speaks to the women who wear it, who carry it, who become it.
Her message is clear: elegance is not in the object, but in the meaning behind it. Distinction is not about status, but soul.
In every line she draws, in every sculpture she refines, in every jewel she places in a woman’s hand—Randa Choueiri reminds us that life, too, is art. And art, when crafted with intention, becomes the most exquisite form of life.
Photo Credit: Courtesy of Randa Choueiri International
Official Website: www.randachoueiri.com
Instagram: @randachoueiri
RANDA CHOUEIRI: SCULPTURAL JEWELRY AND THE ART OF TIMELESS LUXURY
By EGW Luxury Magazine | Winter 2025–2026 Feature
When art meets matter, it becomes something more than an object—it becomes a story.
There are designers, and then there are creators of worlds. Randa Choueiri is the latter—an artist whose every piece of jewelry, sculpture, or fused glass carries within it the story of transformation. Her work does not simply rest on surfaces—it radiates from the essence of who she is: a visionary, a romantic, a woman of refined mastery whose designs are as architectural as they are poetic.
With a rare triple degree in Interior Design, Fine Arts, and Advertising from Beirut University College (now the Lebanese American University), followed by studies in Fashion Business and Applied Arts in the United States, Choueiri’s creative journey is one of rich complexity. From Beirut to Atlanta, she shaped herself not just as an artist, but as an artisan of form and feeling. Ceramics, stained glass, sculpture, painting, and jewelry—all are part of the language she speaks fluently.
Over the last two decades, Choueiri has cultivated a design practice that feels both intimate and grand, timeless and modern. Her early works emerged from the language of glass fusion—a meticulous art that demands both discipline and imagination. From hand-blown tableware to luminous sculptural pieces, each object in her universe holds presence, purpose, and a distinct sense of soul.
And then, came the jewelry.
Unlike traditional jewelers, Choueiri’s pieces are not mere adornments—they are stories scaled down into wearable art. Her creations blend unexpected materials with architectural forms, making each ring, necklace, or earring a miniature monument to the feminine spirit. Sculptural, bold, and unapologetically expressive, her jewelry is less about fashion and more about identity. “I invent what might appeal to women who want the elegance and distinction at a time,” she shares—an ethos that is felt in every curve and cast.
